@alshu alshu said:One must be too deep into battle shounen and delinquent anime to find JoJo funny.
What do you mean by that? What about "Jojo's comedy" is even in line with standard battle shonen?
Afaik the current blend of comedy in the anime/manga battle shonen stems from DBZ's Akira Toriyama which was originally a comedy writer and inspired a lot of we see now as a standard for the comedy of this genre — The goofy character that is overpowered and has some weird idiosyncratic thing, as if from a gag manga such as Goku, Luffy thing for eating, Zoro sense of direction, Sanji with Girls; Characters that might grow up but never lose that feel of a child.
Jojo's was a direct competitor of DBZ and has almost none of that. Both Toriyama and Araki were inspired in western comedy and put their own spin, which is more and more different as time goes on. Jojo's particular brand of comedy is exactly what is most jarring for shonen viewers: It just plays with the nonsense of it, while most Shonen want to keep immersion. Notice, for example, that there isn't a “punchline” in jojo's "funny scenes".
For example, compare Joseph vs Pillar Men and One Piece's Usopp vs Candy → Jojo's builds tension with the humour, which enhances the storytelling, but creates a disconnect that shakes immersion. Oda has the tension set up already and releases with the joke, so the sudden release in tension is what creates the comedic value, while pulling you in with questions of what happens then.
Later on, it is almost not a characteristic of Jojo's anymore. Gyro and Johnny, Yasuho and Josuke aren't particularly funny teams, their funny scenes are more on the "endearing side" - Which arguably makes for even better memeability, how serious it is in-universe.
I would even add that I think early Jojo's kind of humor, outside the references, is more easily found nowadays outside shounen: Monogatari series, Golden Kamuy, etc.
Funny that you mention delinquent anime ... Because the other great competitor of Jojo's at its time was Slam Dunk and that was the exact angle that Inoue took his comedy. Both genres you mention are almost exactly the other two big things that were still not very solidified by the time Jojo's was coming out and people already enjoyed it, so I think you can only be wrong: Jojo's comedy was successful at a time none of those were what we see them as today and is also successful today, when those things have changed with time.
I think you are trying to play too hard on the Jojo x Hokuto no Ken similarities when that is far from true. The comedy and outrageous dialogue was a big part of what set Jojo's apart from Hokuto no Ken at inception.