Anime & Manga News

Netflix and MAPPA Formalize Strategic Partnership to Expand Global Anime Production

by Vindstot
Jan 20, 6:07 PM | 72 Comments

From left to right: Kaata Sakamoto (Netflix) and Manabu Ootsuka (MAPPA)

Netflix has entered into a strategic partnership with Japanese animation studio MAPPA, reinforcing its long-term commitment to anime as a core global content pillar. Announced on January 21, 2026, the agreement deepens collaboration between the two companies across multiple stages of anime production, with Netflix set to exclusively stream a slate of new, original MAPPA-produced titles worldwide.

Under the partnership, Netflix and MAPPA will work together on projects designed from the outset for international audiences, spanning story development, production planning, and downstream business areas such as merchandising. Multiple new anime projects are already in development, with global day-and-date premieres planned on Netflix.

Founded in 2011, MAPPA has rapidly established itself as one of Japan's leading animation studios despite its relatively short history. The studio is known for high-profile titles including Jujutsu Kaisen, Chainsaw Man, Yuri!!! on Ice, and Jigokuraku (Hell's Paradise). In recent years, MAPPA has drawn attention for pursuing a more studio-led business model, most notably with Chainsaw Man, where it played a central role not only in production but also in IP development and merchandising.

The partnership reflects Netflix's growing reliance on anime as a key driver of viewer engagement. According to the company, more than half of its global members now watch anime, and overall anime viewership on the platform has tripled over the past five years. By securing exclusive global rights to new MAPPA titles, Netflix aims to strengthen its anime lineup while offering creators a direct path to international audiences.

MAPPA President and CEO Manabu Ootsuka described the expanded partnership as an extension of the studio's philosophy of maintaining independence both creatively and commercially. He emphasized the importance of animation studios taking the lead across the full value chain, from understanding global audience demand to project development and business expansion, positioning the collaboration with Netflix as a long-term, mutually beneficial relationship.

From Netflix's perspective, the alliance aligns with its broader strategy of working closely with top-tier Japanese studios rather than operating solely as a distribution platform. Kaata Sakamoto, Vice President of Content for Netflix Japan, highlighted MAPPA's willingness to take creative risks and pursue new forms of expression, noting that Netflix's global scale and appetite for bold content make it a natural partner for such ambitions.

Netflix and MAPPA have collaborated previously on titles such as Kakegurui Twin, and Netflix has also brought other MAPPA works to international audiences. The new agreement formalizes and expands that relationship, signaling a shift toward deeper, studio-centered partnerships.

As global demand for Japanese animation continues to rise, the Netflix–MAPPA partnership underscores a broader industry trend: animation studios seeking greater control over production and IP, and global platforms positioning themselves as long-term partners in the creative process rather than simple licensors.

Source: Animation Business Journal, Nikkei

20 of 72 Comments Recent Comments

I don't like the thought of them trying to make anime to appeal to more western audience. As what makes anime so appealing to me and so many others outside of Japan is it's Japanese roots. This gose for all works of all around the world as well that has an international fanbase.

Jan 25, 11:26 PM by GabiShy

Interesting decision. I wonder how it will work in practice. More big anime sources, when it comes to official streaming platforms, is a good sign for customers. Variety and competitive market benefits customers way, way more than monopoly-like situations.

Jan 24, 6:32 PM by Adnash

The western writing being that they will explain the plot 5 times in one season over and over. Garbage decision.

Jan 23, 11:29 AM by Towlie-Towl

Netflix doesn't really respect anime to begin with in how they treat it on their platform where availability is not consistent from everything I've heard.

Jan 22, 9:04 PM by traed

@ToumaTachibana i hope your joking

Jan 22, 8:30 PM by 3inPunisher

After Anno and Tomohiko Ito based comments, it's sad to read such news about Netflix! I don't trust Netflix and Anime shouldn't be aimed with the global audience in mind!

Jan 22, 4:36 PM by ToumaTachibana

Sloppa and Netflix, a match made in hell.

Jan 22, 1:11 PM by Nanaca

3inPunisher said:
Its because Gonzo and management were pretty poor, the same thing happened with gainax. It was not because of them trying to appeal to the western markey


What happened to Gainax was brain drain. Everyone knowing what they were doing left the studio. Funnily enough, Gonzo is an offshoot of Gainax. Just like Khara and Trigger. Only they separated way back in 1992, while Khara did in 2006 and Trigger in 2011. Gonzo was at the forefront of appealing to the western market and they made plenty of stuff that was well liked by said market. It's just that this market didn't really buy physical media, so it wasn't very profitable.

No one really knows the situation inside Gonzo that led to their bankruptcy, but they did go bankrupt shortly after making lots of anime that were made to appeal to the western market.

Jan 22, 4:17 AM by TransferUser

I'm surprised it's mappa because they can't adapt anime and now they have to write original plots? looks weird, it's like asking me to drive a car when I don't have a driver's licence. Maybe if they hire better writers.

Jan 22, 4:15 AM by Catalano

This was surely coming after Demon Slayer overturned the global box office. The cooperates only see numbers, and Demon Slayer outperformed Superman while having a fraction of the budget. I am not surprised that Netflix now wants a piece of that pie. Only time will tell how worse this can get.

Jan 21, 9:14 PM by Captain-577

@TransferUser

Its because Gonzo and management were pretty poor, the same thing happened with gainax. It was not because of them trying to appeal to the western markey

Jan 21, 3:49 PM by 3inPunisher

Hollywood is coming to ruin anime.

Jan 21, 3:46 PM by madoy

@TransferUser
I'd say anime is great because they're passion projects and utilize tropes like the tsundere or deredere unironically, they don't shy away from seeming stereotypical or over-the-top. Entire fanbases rally around series to cosplay or do fan projects. Western media generally fails at that kind of impact, the closest I can think of in terms of passion and fanbase power is the superhero archetype thanks to Marvel and DC.

Jan 21, 2:38 PM by Phraze

@TransferUser uwaa... This is pure definition of insanity. Full circle of life and failure. Some will never learn.

Jan 21, 2:19 PM by Saygram

@ZXEAN
The first two are loosely adapted based on older Japanese media, if I remember correctly. It is like claiming Netflix produced Devil May Cry. The other titles mentioned sound very basic and "safe". I do not expect to see Japan-based plots, but at least explore themes that may seem controversial or dark. It's all gonna be "safe" anime plots on Netflix, and borderline porn because they are for "adults with a sex life" on the same platform. If you get what I mean.

Jan 21, 2:18 PM by Phraze

Remember about 25 to 30 years ago, when anime studios tried appealing hard to the western market? It failed hard enough to bankrupt Gonzo.
I had hoped that was a lesson well learned, but apparently Netflix has enough bags of money to try again.


It's misguided, though. Anime is liked for being culturally Japanese. Change that and it might as well no longer be anime.

Jan 21, 2:08 PM by TransferUser

All the people worrying about DEI and woke slop are justified btw. The people crying about these replies are hilarious lol.

Jan 21, 1:58 PM by TsukuyomiREKT

@Piromysl Can we leave the MAPPA employees meme in 2025 please? Ever since AOT finished and the production line of the Reze movie and jjk season 3 was split, the production conditions at the studio have been fine (even Hakuyu Go, the animator from the "throw your card in the trash on the way out" tweet is back in the newest jjk episode) , with some projects finishing before the first episode even airs.

MAPPA is a massive studio now with around 10 independent production lines working concurrently. They're only behind Toei and Sunrise with the number of employees.

Nowdays, singling them out is if not performative, then at worst a kinda cringe normie take, when so much of this industry is much, much worse

Jan 21, 12:11 PM by HidingHere

@Piromysl

Ah yes, mappa productions dont have a soul. Sure....

Jan 21, 11:50 AM by 3inPunisher

MAPPA always gave off those vibes or being anime equivalent of western AAA company. High production quality, big budget, but lacks soul. No wonder they are chasing the bag. I guess they are now entering this phase now.
I don't see how anyone besides grifters can see this as a good thing. Hopefully Netflix's influence will be limited to their originals, not adaptations.

But ain't nobody here in the thread concerned about MAPPA employees, who may never see their families again?

Jan 21, 11:33 AM by Piromysl

It’s time to ditch the text file.
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