Netflix and MAPPA Formalize Strategic Partnership to Expand Global Anime Production

From left to right: Kaata Sakamoto (Netflix) and Manabu Ootsuka (MAPPA)
Netflix has entered into a strategic partnership with Japanese animation studio MAPPA, reinforcing its long-term commitment to anime as a core global content pillar. Announced on January 21, 2026, the agreement deepens collaboration between the two companies across multiple stages of anime production, with Netflix set to exclusively stream a slate of new, original MAPPA-produced titles worldwide.
Under the partnership, Netflix and MAPPA will work together on projects designed from the outset for international audiences, spanning story development, production planning, and downstream business areas such as merchandising. Multiple new anime projects are already in development, with global day-and-date premieres planned on Netflix.
Founded in 2011, MAPPA has rapidly established itself as one of Japan's leading animation studios despite its relatively short history. The studio is known for high-profile titles including Jujutsu Kaisen, Chainsaw Man, Yuri!!! on Ice, and Jigokuraku (Hell's Paradise). In recent years, MAPPA has drawn attention for pursuing a more studio-led business model, most notably with Chainsaw Man, where it played a central role not only in production but also in IP development and merchandising.
The partnership reflects Netflix's growing reliance on anime as a key driver of viewer engagement. According to the company, more than half of its global members now watch anime, and overall anime viewership on the platform has tripled over the past five years. By securing exclusive global rights to new MAPPA titles, Netflix aims to strengthen its anime lineup while offering creators a direct path to international audiences.
MAPPA President and CEO Manabu Ootsuka described the expanded partnership as an extension of the studio's philosophy of maintaining independence both creatively and commercially. He emphasized the importance of animation studios taking the lead across the full value chain, from understanding global audience demand to project development and business expansion, positioning the collaboration with Netflix as a long-term, mutually beneficial relationship.
From Netflix's perspective, the alliance aligns with its broader strategy of working closely with top-tier Japanese studios rather than operating solely as a distribution platform. Kaata Sakamoto, Vice President of Content for Netflix Japan, highlighted MAPPA's willingness to take creative risks and pursue new forms of expression, noting that Netflix's global scale and appetite for bold content make it a natural partner for such ambitions.
Netflix and MAPPA have collaborated previously on titles such as Kakegurui Twin, and Netflix has also brought other MAPPA works to international audiences. The new agreement formalizes and expands that relationship, signaling a shift toward deeper, studio-centered partnerships.
As global demand for Japanese animation continues to rise, the Netflix–MAPPA partnership underscores a broader industry trend: animation studios seeking greater control over production and IP, and global platforms positioning themselves as long-term partners in the creative process rather than simple licensors.
Source: Animation Business Journal, Nikkei
20 of 72 Comments Recent Comments
Jan 24, 6:32 PM by Adnash
Jan 23, 11:29 AM by Towlie-Towl
Jan 22, 9:04 PM by traed
Jan 22, 8:30 PM by 3inPunisher
Jan 22, 4:36 PM by ToumaTachibana
Jan 22, 1:11 PM by Nanaca
Its because Gonzo and management were pretty poor, the same thing happened with gainax. It was not because of them trying to appeal to the western markey
What happened to Gainax was brain drain. Everyone knowing what they were doing left the studio. Funnily enough, Gonzo is an offshoot of Gainax. Just like Khara and Trigger. Only they separated way back in 1992, while Khara did in 2006 and Trigger in 2011. Gonzo was at the forefront of appealing to the western market and they made plenty of stuff that was well liked by said market. It's just that this market didn't really buy physical media, so it wasn't very profitable.
No one really knows the situation inside Gonzo that led to their bankruptcy, but they did go bankrupt shortly after making lots of anime that were made to appeal to the western market.
Jan 22, 4:17 AM by TransferUser
Jan 22, 4:15 AM by Catalano
Jan 21, 9:14 PM by Captain-577
Its because Gonzo and management were pretty poor, the same thing happened with gainax. It was not because of them trying to appeal to the western markey
Jan 21, 3:49 PM by 3inPunisher
Jan 21, 3:46 PM by madoy
I'd say anime is great because they're passion projects and utilize tropes like the tsundere or deredere unironically, they don't shy away from seeming stereotypical or over-the-top. Entire fanbases rally around series to cosplay or do fan projects. Western media generally fails at that kind of impact, the closest I can think of in terms of passion and fanbase power is the superhero archetype thanks to Marvel and DC.
Jan 21, 2:38 PM by Phraze
Jan 21, 2:19 PM by Saygram
The first two are loosely adapted based on older Japanese media, if I remember correctly. It is like claiming Netflix produced Devil May Cry. The other titles mentioned sound very basic and "safe". I do not expect to see Japan-based plots, but at least explore themes that may seem controversial or dark. It's all gonna be "safe" anime plots on Netflix, and borderline porn because they are for "adults with a sex life" on the same platform. If you get what I mean.
Jan 21, 2:18 PM by Phraze
I had hoped that was a lesson well learned, but apparently Netflix has enough bags of money to try again.
It's misguided, though. Anime is liked for being culturally Japanese. Change that and it might as well no longer be anime.
Jan 21, 2:08 PM by TransferUser
Jan 21, 1:58 PM by TsukuyomiREKT
MAPPA is a massive studio now with around 10 independent production lines working concurrently. They're only behind Toei and Sunrise with the number of employees.
Nowdays, singling them out is if not performative, then at worst a kinda cringe normie take, when so much of this industry is much, much worse
Jan 21, 12:11 PM by HidingHere
Jan 21, 11:50 AM by 3inPunisher
I don't see how anyone besides grifters can see this as a good thing. Hopefully Netflix's influence will be limited to their originals, not adaptations.
But ain't nobody here in the thread concerned about MAPPA employees, who may never see their families again?
Jan 21, 11:33 AM by Piromysl
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